New music feast at BBC Proms
It is impossible to do justice to the vast range (and quality) of music available in one post (this link opens the full programme). So each week I am going to give a subjective preview of highlights from the coming weeks concerts. For this post I am going to limit myself to Proms commissions and premieres. But even that is going to be difficult as there are no fewer than twenty-one new works in the season. Here is an overview by composer of the new music riches on offer with the dates of the broadcasts:
Thomas Ades – Violin Concerto, UK premiere, 6th Sept: Written for Anthony Marwood of the Florestan Trio.
Michael Berkeley – Concerto for Orchestra, BBC commission and world premiere, 19th July: From Sir Lennox's son, the slow movement is a tribute to victims of the South-East Asian tsunami.
Unsuk Chin – snagS & Snarls (sic), world premiere of revised version, 10th August: Song cycle for soprano, mezzo and orchestra by Berlin based Korean composer.
John Corigliano – Violin Concerto, UK premiere, 28th July: Joshua Bell plays concerto extracted from film score.
Marc-Andre Dalbavie – Piano Concerto, world premiere, 16th August: Leif Ove Andsnes plays new concerto with homage to Boulez post-serialism and New York minimalism.
Henri Dutilleux – Correspondances, London premiere, 27th July: 89 year old senior figure of French music’s new song cycle.
Detlev Glanert – Theatrum bestiarum, BBC commission and world premiere, 26th July: Orchestral work for large orchestra and organ with roots in the late-Romantics.
Sofia Gubaidulina – The Light of the End, UK premiere, 20th August: 24 minute large orchestral work by Russian composer.
Morgan Hayes – Strip, BBC commission and world premiere, 25th August: Orchestral deconstruction from young British composer with wood-blocks and log drums (presumably a block-buster?).
Tatjana Komarova – Tanze mit verbundenen Augen (Blindfold Dances), UK premiere, 15th August lunchtime: As relief from all the orchestral showpieces another Russian lady composer’s solo piano work.
James MacMillan – A Scotch Bestiary, London premiere, 21st July: Concerto for organ and orchestra inspired by American cartoons.
Stuart Macrae – Hamartia, London Premiere, 19th August: Cello concerto from 29 year old compatriot of James McMillan.
Thea Musgrave – Turbulent Landscapes, London premiere, 19th August: The third Scot (but US resident) in a row with new work inspired by Turner seascapes.
Paul Patterson – Orchestra on Parade, London premiere, 6th August: Five minute orchestral showpiece written for National Youth Orchestra.
Esa-Pekka Salonen – new work, BBC Commission and world premiere, 27th August: I can tell you it is composed by the highly acclaimed conductor. But I can’t tell you anything else as I think E-PS is sweating on the deadline.
Bent Sorensen – The Little Mermaid, world premiere, 12th August: A setting of Hans Christian Andersen for tenor, girl’s chorus and orchestra by a fellow Dane.
Mark-Anthony Turnage – From the Wreckage, UK premiere, 9th September: Trumpet showpiece for Hakan Hardenberger, with four percussionists surrounding the orchestra to guarantee never a dull moment..
Huw Watkins – Double Concerto for viola and cello, world premiere, 4th August: Respected Welsh composer stays with a traditional form.
John Woolrich – After the Clock, BBC commission and world premiere, 1st August lunchtime: New chamber piece with horological sub-text.
Wow, it just makes me giddy typing it all out – new works from Ades, Turnage, Dutilleux, MacMillan, Corigliano, Musgrave, Woolrich and fourteen others in a veritable excess of new music. Can you afford not to be there via the BBC Radio 3 webcasts?
If you enjoyed this post take an overgrown path to First performance - Douglas Weiland's Second Piano Trio, Pavey Ark
Comments
I've corrected it now, apologies to readers taking RSS feeds for the multiple versions of this (and most of my other) posts. I do try to get things right, but it sometimes takes several tries!